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Moyna flanigan biography of michaels

Their identity or essence remains ambiguous, as if they were passing through, or suspended just out of reach. Notes of incidental humour are balanced by a darker, almost melancholic, sensibility which unifies the different parts into a new narrative, with women at the centre of a story that spans both ancient and modern worlds.

Following her recent presentation at the Scottish National Gallery of Modern Art, she is furthering her investigation into the materials and methods of collage. It continues a working practice that often begins by chance - with the artist cutting up her own drawings and re-using the abstract body parts to create a new order from the original components — which is, in part, an attempt to understand the fragmentary way we experience and process a world permeated with an over saturation of images and information.

Collaging allows me to draw things in different languages and bring them together as a new whole. In these newest works, fragments of sculpture join the works on paper and paintings for which the artist is best known. Throughout her career, Flannigan has worked with galleries across Europe and the United States. Her earlier work includes a highly acclaimed collection of portrait miniatures, that were first exhibited at the Scottish National Portrait Gallery in Created in response to the unique context and architecture of Collective's City Dome gallery, the exhibition features figurative collages, alongside a constellation of paper sculptures that extend the principles of collage into three dimensional space.

A catalogue was produced on the occasion of the exhibition, which includes documentation of the new body of work, an essay by art historian Dr Pia Gottschaller and an edited conversation between the artist and Sorcha Carey, Collective's Director.

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Moyna Flannigan. View works. Read: Studio International, Read: Fleming Collection, Read: Vitamin C,